My painting practice is abstract and part of a constant process of experimentation. I seek to avoid clichés and predictable forms, understanding painting as an open territory where each work is a quest rather than an answer.

I paint from a personal perspective. States such as nostalgia, identity crisis, relationships, vulnerability, guilt, and the experience of being a woman inform my work, but these themes don't appear narratively; rather, they emerge as emotional tensions that translate into color, gesture, and material.

In my experience, painting isn't a closed process: it's discovered through doing, making mistakes, and starting again. It's an intimate and sometimes uncomfortable process, where the work functions as a space for exposure and transformation, rather than a final result.